SVA X SKOWHEGAN

November 28, 2016 to February 4, 2017
The exhibition’s title reflects the dual relationship the featured artists have with each institution. All are either SVA alumni or faculty who have equally benefitted from the prestigious summer residency program at the Skowhegan School of Painting & Sculpture in Madison, Maine.
Curated by Lauren Haynes

With work by Negar Ahkami, Sharona EliassafAlejandro Guzman, Ulrike Heydenreich, Saskia Jorda, Thomas Lanigan-Schmidt, Gregg Louis, Dave McKenzie, Miryana TodorovaMarvin Touré and Fred Wilson.

Sharona Eliassaf, class of 2011

 

The School of Visual Arts presents “SVA x Skowhegan,” an interdisciplinary exhibition that explores the effects an increasingly global society has on contemporary artistic practice. The show, curated by Lauren Haynes, curator, contemporary art at Crystal Bridges Museum of American Art, brings together Negar Ahkami, Sharona Eliassaf, Alejandro Guzman, Ulrike Heydenreich, Saskia Jordá, Thomas Lanigan-Schmidt, Gregg Louis, Dave McKenzie, Miryana Todorova, Marvin Touré and Fred Wilson, 11 artists who have never been shown together and whose work touches on identity and the mapping of various geographies and landscapes, both real and imagined.

 
On view at SVA Chelsea Gallery from November 28, 2016, through February 4, 2017, the exhibition’s title reflects the dual relationship the featured artists have with each institution. All are either SVA alumni or faculty who have equally benefitted from the prestigious summer residency program at the Skowhegan School of Painting & Sculpture in Madison, Maine.
 
The artists in “SVA x Skowhegan” work in a wide variety of media—including video, painting, drawing, performance and multimedia installation—to present different perspectives on the relationship between place, experience and artistic process. Saskia Jordá uses craft materials to weave symbolic paths between constructed borders, while Negar Ahkami and Ulrike Heydenreich create real and fictional landscapes via painting and drawing. In his site-specific installation, bruh where ya mind at (2016), Marvin Touré maps the psychological effects of the American condition on the minds of young black men, while Thomas Lanigan-Schmidt employs aluminum, garland and glitter to illustrate how a blended neighborhood and traditional Catholic church affected the movements of an adolescent gay kid in 1950’s New Jersey. Waving visitors into the gallery are four works from Fred Wilson’s series of painted flags from African diasporan nations that, stripped of all color, celebrate and ponder their symbolism and glory. Along with Sharona Eliassaf, Alejandro Guzman, Gregg Louis, Dave McKenzie and Miryana Todorova, these artists create works that evidence their past, present, future, actual, devised and fabricated migratory movements, offering up poignant representations of global citizenship. 
 
“SVA x Skowhegan” will also include a fully illustrated publication, with entries on each artist and an essay by the curator, to be released on January 17, 2017. 
 
Fred Wilson, faculty, and Marvin Touré, class of 2016

 

Saskia Jordá, class of 2004, Miryana Todorova, class of 2012, and Ulrike Heydenreich, class of 2001 

 

Thomas Lanigan Schmidt, faculty, and Negar Ahkami, class of 2006 

 

Alejandro Guzman, class of 2009 

 

Dave McKenzie, faculty

 

Gregg Louis, class of 2009

 

Marvin Touré, class of 2016 

 

Thomas Lanigan Schmidt, faculty 

 

Thomas Lanigan Schmidt, faculty 

 

Sharona Eliassaf, class of 2011

 

 

Ulrike Heydenreich, class of 2001

 

 

Saskia Jordá, class of 2004

 

 

Miryana Todorova, class of 2012

 

 

Negar Ahkami, class of 2006